Arts
-
Sumi Jo Performing Arts Research Center Opens
Distinguished visiting scholar soprano Sumi Jo gave a special lecture on May 13 at the KAIST auditorium. During the lecture, she talked about new technologies that will be introduced for future performing art stages while sharing some of the challenges she experienced before reaching to the stardom of the world stage. She also joined the KAIST student choral club ‘Chorus’ to perform the KAIST school song.
Professor Jo also opened the Sumi Jo Performing Arts Research Center on the same day along with President Kwang Hyung Lee and faculty members from the Graduate School of Culture Technology. The center will conduct AI and metaverse-based performing art technologies such as performer modeling via AI playing and motion creation, interactions between virtual and human players via sound analysis and motion recognition, as well as virtual stage and performing center modeling. The center will also carry out extensive stage production research applied to media convergence technologies.
Professor Juhan Nam, who heads the research center, said that the center is seeking collaborations with other universities such as Seoul National University and the Korea National University of Arts as well as top performing artists at home and abroad. He looks forward to the center growing into a collaborative center for future performing arts.
Professor Jo added that she will spare no effort to offer her experience and advice for the center’s future-forward performing arts research projects.
2022.05.16 View 4936 -
KAIST and KNUA to Collaborate on Culture Technology
Distinguished Visiting Scholar Soprano Sumi Jo Accompanied by AI pianist ‘VirtuosoNet’ during the Special Concert at KAIST
KAIST will expand the convergence of arts education and culture technology research in collaboration with the Korea National University of Arts (KNUA), the nation’s top arts university. KAIST President Kwang Hyung Lee signed an MOU with President Daejin Kim of the Korea National University of Art on January 6 at KAIST’s Daejeon campus for collaborations in arts education and research.
KAIST and KNUA will expand educational programs such as student exchanges and co-credit programs. The two universities will team up for cooperation focusing on research centers and academic conferences for the creation of culture technology and convergence arts.
Minister of Culture, Sports, and Tourism Hee Hwang also attended the ceremony. Minister Hwang said that the Ministry will invest 132 billion KRW in R&D for developing metaverse and content technologies. He added that this collaboration will be a very meaningful turning point for creating a new culture combining high-level technologies.
President Kim also expressed his expectations saying, “The collaboration of our two universities will generate a huge synergistic impact for nurturing talents and the creation of convergence arts.
President Lee said that the collaboration with KNUA will take KAIST another step forward as it aims to foster well-rounded talents. “We look forward to proactive collaborative research that will expand the new chapter of convergence arts and future stage performances.”
Right after the signing ceremony, world renowned soprano Sumi Jo, who was named a Distinguished Visiting Scholar, took the KAIST auditorium stage for a special concert. AI pianist ‘VirtuosoNet’, developed by Professor Juhan Nam at the Graduate School of Culture Technology, made its debut at the concert by playing Mozart’s Turkish March arranged by Arcardi Volrodos. VirtuosoNet also accompanied Soprano Jo on one of her songs.
The concert by Sumi Jo and AI pianist VirtuosoNet heralds what KAIST is pursuing for education and research in culture technology. The Graduate School of Culture Technology plans to conduct research on future culture industries combined with technologies for the metaverse. The Sumi Jo Performing Arts Research Center will conduct research on performing technologies together with virtual artists. Head of the Graduate School of Culture Technology Woontack Woo said that KAIST will expand the sphere of the culture industry including tourism in collaboration with KNUA by incorporating technology into arts.
2022.01.10 View 5880 -
Image Analysis to Automatically Quantify Gender Bias in Movies
Many commercial films worldwide continue to express womanhood in a stereotypical manner, a recent study using image analysis showed. A KAIST research team developed a novel image analysis method for automatically quantifying the degree of gender bias in films.
The ‘Bechdel Test’ has been the most representative and general method of evaluating gender bias in films. This test indicates the degree of gender bias in a film by measuring how active the presence of women is in a film. A film passes the Bechdel Test if the film (1) has at least two female characters, (2) who talk to each other, and (3) their conversation is not related to the male characters.
However, the Bechdel Test has fundamental limitations regarding the accuracy and practicality of the evaluation. Firstly, the Bechdel Test requires considerable human resources, as it is performed subjectively by a person. More importantly, the Bechdel Test analyzes only a single aspect of the film, the dialogues between characters in the script, and provides only a dichotomous result of passing the test, neglecting the fact that a film is a visual art form reflecting multi-layered and complicated gender bias phenomena. It is also difficult to fully represent today’s various discourse on gender bias, which is much more diverse than in 1985 when the Bechdel Test was first presented.
Inspired by these limitations, a KAIST research team led by Professor Byungjoo Lee from the Graduate School of Culture Technology proposed an advanced system that uses computer vision technology to automatically analyzes the visual information of each frame of the film. This allows the system to more accurately and practically evaluate the degree to which female and male characters are discriminatingly depicted in a film in quantitative terms, and further enables the revealing of gender bias that conventional analysis methods could not yet detect.
Professor Lee and his researchers Ji Yoon Jang and Sangyoon Lee analyzed 40 films from Hollywood and South Korea released between 2017 and 2018. They downsampled the films from 24 to 3 frames per second, and used Microsoft’s Face API facial recognition technology and object detection technology YOLO9000 to verify the details of the characters and their surrounding objects in the scenes.
Using the new system, the team computed eight quantitative indices that describe the representation of a particular gender in the films. They are: emotional diversity, spatial staticity, spatial occupancy, temporal occupancy, mean age, intellectual image, emphasis on appearance, and type and frequency of surrounding objects.
Figure 1. System Diagram
Figure 2. 40 Hollywood and Korean Films Analyzed in the Study
According to the emotional diversity index, the depicted women were found to be more prone to expressing passive emotions, such as sadness, fear, and surprise. In contrast, male characters in the same films were more likely to demonstrate active emotions, such as anger and hatred.
Figure 3. Difference in Emotional Diversity between Female and Male Characters
The type and frequency of surrounding objects index revealed that female characters and automobiles were tracked together only 55.7 % as much as that of male characters, while they were more likely to appear with furniture and in a household, with 123.9% probability.
In cases of temporal occupancy and mean age, female characters appeared less frequently in films than males at the rate of 56%, and were on average younger in 79.1% of the cases. These two indices were especially conspicuous in Korean films.
Professor Lee said, “Our research confirmed that many commercial films depict women from a stereotypical perspective. I hope this result promotes public awareness of the importance of taking prudence when filmmakers create characters in films.”
This study was supported by KAIST College of Liberal Arts and Convergence Science as part of the Venture Research Program for Master’s and PhD Students, and will be presented at the 22nd ACM Conference on Computer-Supported Cooperative Work and Social Computing (CSCW) on November 11 to be held in Austin, Texas.
Publication:
Ji Yoon Jang, Sangyoon Lee, and Byungjoo Lee. 2019. Quantification of Gender Representation Bias in Commercial Films based on Image Analysis. In Proceedings of the 22nd ACM Conference on Computer-Supported Cooperative Work and Social Computing (CSCW). ACM, New York, NY, USA, Article 198, 29 pages. https://doi.org/10.1145/3359300
Link to download the full-text paper:
https://files.cargocollective.com/611692/cscw198-jangA--1-.pdf
Profile: Prof. Byungjoo Lee, MD, PhD
byungjoo.lee@kaist.ac.kr
http://kiml.org/
Assistant Professor
Graduate School of Culture Technology (CT)
Korea Advanced Institute of Science and Technology (KAIST)
https://www.kaist.ac.kr Daejeon 34141, Korea
Profile: Ji Yoon Jang, M.S.
yoone3422@kaist.ac.kr
Interactive Media Lab
Graduate School of Culture Technology (CT)
Korea Advanced Institute of Science and Technology (KAIST)
https://www.kaist.ac.kr Daejeon 34141, Korea
Profile: Sangyoon Lee, M.S. Candidate
sl2820@kaist.ac.kr
Interactive Media Lab
Graduate School of Culture Technology (CT)
Korea Advanced Institute of Science and Technology (KAIST)
https://www.kaist.ac.kr Daejeon 34141, Korea
(END)
2019.10.17 View 22621 -
Public Lectures on the Korean Language and Alphabet
The School of Humanities and Social Sciences at KAIST will offer public lectures on the Korean language and alphabet, Hangul, from March 22, 2016 to April 26, 2016.
The lectures, which are entitled “The Riddle of Hangul,” will take place on campus in Daejeon.
A total of six lectures will be held on such topics as the origin of Korean, the grammar of ancient Korean in the Chosun Dynasty (1392-1897), and subsequent developments in contemporary Korean.
Professor Jung-Hoon Kim, who is responsible for organizing the public lecture program, said, “The audience will have an interesting opportunity to understand the history of Korean and its mechanism, while reviewing the unique spelling system of Hangul. I hope many people will show up for these wonderful classes.”
For further information and registration, please visit: http://hss.kaist.ac.kr. All lectures, available only in Korean, are free and open to the public.
2016.03.15 View 7417 -
How Science Understands the Beauty of Fine Arts from the Medieval Era to the 19th Century
A research team, consisting of Professor Hawoong Jeong of the Department of Physics at KAIST and Assistant Professor Seung-Woo Son of the Department of Applied Physics at Hanyang University, conducted a research project to understand visual representations through the eyes of science, i.e., quantitative analyses. Researchers took a sample of reproductions of European paintings from the 11th to the early 19th centuries and analyzed them based on three elements: the usage of color, the variety of painted colors, and the brightness of the images.
For the large-scale quantitative analysis, the research team utilized digital images of the paintings obtained from the Web Gallery of Art, a virtual museum and searchable database of European fine arts that includes over 29,000 pieces, ranging from the years 1000 to 1850. The Web Gallery classifies paintings into ten art historical periods such as Medieval, Renaissance, Mannerist, Baroque, Rococo, Romantic, and Realist.
For each period, researchers investigated the frequency of certain colors which appear in paintings and examined the variety of painted colors, paying particular attention to paintings created by two iconoclastic artists from different eras: Pieter Bruegel the Elder and Jackson Pollock. In their works, the researchers discovered that specific pigments were preferred in each period, the result of reflecting historical facts into fine arts. For example, certain rare colors were used in the medieval age for political and religious reasons, and artists in that era employed a technique to layer one color over another dry color in order to express mixed colors, resulting in thickly textured brushstrokes because they considered mixing colors impure. Moreover, oil colors and color mixing techniques were not fully developed until the Renaissance age.
According to the research team, fewer numbers of colors were used before the 20th century, and the introduction of new expressionist tools, like the use of pastels and fingers directly on canvas, and painting techniques, such as “chiaroscuro” and “sfumato,” made much more colorful and natural expressions possible after the Renaissance period. The team said that the color arrangement of Jackson Pollock’s drip paintings differed substantially from other paintings, showing randomness, especially in the spatial arrangement of colors.
Researchers also examined one of the artistic effects applied to paintings, contrast, an important element to express shape and space in two dimensional fine arts. Among various types of contrasts, they said, brightness contrast is the most important in art history due to the cultural background of Europe which usually adopts the contrast of light and darkness as a metaphorical expression. Taking the color information of pixels and their spatial arrangement, the researchers studied the prevalence of brightness contrast in European paintings over ten artistic periods by developing a correlation function to measure the contrast. These mathematical measurements quantitatively describe the birth of new painting techniques including chiaroscuro and sfumato and their increasing use. For instance, in the medieval age, the contour of objects or images in paintings was vague, but it became much clearer later in the Romantic period.
Professor Jeong said, “The complexity of the material world has been a long-lasting topic of interest in natural science, but research in the structural complexity of art and humanities has only begun since the development of the Internet, with the availability of big data in these fields. Our research is a meaningful attempt to understand the underling intricacy of art and humanities based on a scientific approach, expressed quantitatively.”
The research results were published online on December 11, 2014 in Scientific Reports, entitled “Large-Scale Quantitative Analysis of Painting Arts.” The paper was also selected as one of the weekly research highlights by Nature and is noted on its online journal’s website.
YouTube link on “the brightness contrast”: http://youtu.be/SFo0h1EU2aw
Figure 1: Constructing brightness surfaces and measuring roughness exponents
Figure 2: Visual representations of Mona Lisa painted by Leonardo da Vinci, which was reproduced in accordance with the art historical periods
Figure 3: The screenshot of Nature online webpage
2014.12.23 View 8228 -
KAIST Holds Open Lecture For Daejeon Residents
Free of cost for any Korean citizen, the registration for the new course opens on the official website from 5th March KAIST’s Department of Humanities and Social Science is currently operating free humanities and liberal arts classes for Daejeon residents.
The theme of the course for this semester is “World and Politics,” which will begin on 13th March and run every Thursday for 6 weeks at KAIST’s International Seminar Room.
This course has been organized to introduce the general public to the current political situation with neighboring countries such as China, Japan and North Korea, as well as the characteristics of multinational companies.
Top experts in the related fields will give lectures. First, Professor Ha-Yong Jung from Kyunghee University will talk on “American liberalism and democracy”; Professor Gyeong-Mo An from Korea National Defense University on “Kim Jeong-Eun and the Future of North Korea--Is the Collapse of North Korea A Reality?” and Ja-Seon Koo, a visiting professor at Korea National Diplomatic Academy on “The Chinese Communist Party during the Xi Jinping Period.”
“With the era of globalization, the political situations in the neighboring countries have both direct and indirect effects on our lives,” said Professor Hyeon-Seok Park who has organized the courses. "These classes will be an opportunity for our citizens to understand and learn about the current affairs in the world.”
Anyone can attend the course, and registration is from March 5th to 9th at the official webpage of KAIST’s Humanities and Social Sciences Department (http://hss.kaist.ac.kr). All the courses are free of charge.
Contact: Department of Humanities and Social Science Research (Tel. 350-4687, E-mail: baobab@kaist.ac.kr)
2014.03.06 View 6391 -
KAIST receives $20 million donation for futures studies
A retired businessman, Moon-Soul Chung, the former chief executive officer of Mirae, Inc., a semiconductor equipment company in Korea, today donated USD 20 million to the Graduate School of Future Strategy at KAIST.
It was Chung's second contribution to KAIST—his first donation of USD 28 million in 2001 supported the construction of the Bio and Brain Engineering building, a major research center on campus where biotechnology and information technology converge.
Established in 2013, the KAIST Graduate School of Future Strategy consists of three interdisciplinary graduate programs on future strategy, intellectual property, and science journalism. The Research Center for Future Strategy is an affiliate of the graduate school. KAIST is the first Korean university that offers an academic program granting a degree in futures studies.
The rapid advancement in science and technology today affects, profoundly and extensively, all corners of global society from education, politics, economy, and environment to resources, sustainability, and inequality. As we live in a highly interconnected, digitalized, and unpredictable world, analyzing the events, trends, patterns, and changes of the past and present, developing foresight, and mapping preferred futures have become more relevant than ever.
KAIST utilizes its strong tech-knowledge base in science and engineering to offer students a high quality education and training in futures thinking, skills, and methodologies to develop foresight and to plan future strategies for international relations, business and industry, national defense, science and technology, and new media. KAIST also anticipates helping government, business, public service, and non-profit organizations identify important issues and develop long-range implementation strategies to prepare for probable and preferred futures.
Moon-Soul Chung (left), the former CEO of Mirae Inc., and President Steve Kang (right), holding together the donation agreement in Seoul, January 10th, 2014
2014.01.13 View 7825 -
Graduate School of Culture and Technology Begins Mobile Science Classroom
KAIST Graduate School of Culture and Technology plans visits to elementary schools without the facilities to facilitate hands on science education.
The Graduate School of Culture and Technology planned the ‘STEAM Creative Camp’ involving three elementary schools during the summer holidays.
The ‘STEAM Creative Camp’ involves increasing interest and artistic sensitivity through experience based science education.
The program is composed of two separate programs in consideration to the level of participating students.
The beginner level program includes: code making, writing secret letters, sticker decorating program and the moderate level program includes: making wipers using complex pulley system, catapult design using elasticity, and puppet show using joints to animate.
The programs will be taught by masters and doctorate program candidates from the KAIST Youth Culture and Technology Experience Center.
*STEAM: And integrated education system including Science, Technology, Engineering, Arts, and Mathematics.
2012.07.26 View 8277 -
Imaging technology expert from Hollywood becomes KAIST professor
Imaging technology expert from Hollywood becomes KAIST professor
A U.S. imaging technology expert from Hollywood was appointed as KAIST professor.
KAIST (President Nam-Pyo Suh) announced on September 18 that world-famous imaging technology expert Joonyong Noh, who deals with special effects at Hollywood, was appointed as assistant professor of Graduate School of Culture Technology.
Professor Noh obtained Ph.D in Computer Science from the University of Southern California and has been working at Rhythm & Hues, one of the world top three independent productions. He has developed special effects of 23 pieces of Hollywood films for the past three years and took charge of special effects of movies ‘Garfield’, ‘The Lord of The Rings: The Return of The King’, etc. which were released worldwide.
His recent work is the film ‘Superman Returns’. In this film, Professor Noh skillfully expressed a scene of superman flying into a ship with virtual reality using simulation. Professor Noh also has shown great achievements in the fields of face animation, algorithm-based scenery generation, non-rigid body and fluid dynamics simulation.
“I’ve performed various imaging works with advanced science and technology and arts combined in them at Hollywood. Based on such experiences, I will develop advanced imaging technologies along with KAIST students,” Professor Noh remarked his intention.
2006.09.21 View 13982
-
KAIST Cultural Festival - the 2nd rocklassic
KAIST Cultural Festival - the 2nd rocklassic
- Unique music festival by KAIST students mixed with creation, performance, and science
- Result of creative classes - All activities from performance planning to strings manufacturing will be carried out by students themselves
- At the outdoor theater in KAIST, 7:30 p.m. Sunday, September 10
Crossover music festival pursuing balanced mixture of Rock and Classic will be held by KAIST students.
KAIST (President Nam-Pyo Suh) will open ‘KAIST Cultural Festival - the 2nd rocKlassic’ at the outdoor theater, 7:30 p.m. Sunday, September 10.
This performance can be considered as a new attempt that provides opportunities of experiencing the vital topic of industry in the 21st century - fusion of culture and technology. Performance planning, arrangement, and playing are all carried out by students themselves, and musical instruments manufactured by students during classes will be used for the performance. This performance is the result of creative classes such as chamber music, strings manufacturing, performance planning, and business management, which have been newly attempted in KAIST since 2002.
In the performance subtitled as ‘Einstein’s Violin’, KAIST-graduated bandoneonist Sangji Ko will play the bandoneon (musical instrument which is composed of rectangular side faces and wrinkled box, and played by pushing buttons) as a special guest, and total 40 players including members of KAIST student music club ‘Adlib’, ‘KAIST orchestra’, and ‘MUSIKA’, which is making active performances outside KAIST, will attend to make the concert the biggest music project of KAIST.
General director Jeongjin Kim (Professor of KAIST Graduate School of Culture and Technology) said, “In order to enjoy the concert with neighborhood, the outdoor theater capable of 3,000 people will be fully opened, and there is no charge for it. I am sure the passion and talent toward music emitting from KAIST students will startle the audience.”
■ Program
<1st stage>
- The song of life - Adlib, KAIST orchestra
- Flying - Adlib, KAIST orchestra
- From between calm and passion - Chulho Kim, KAIST orchestra
- Propose - Yeoseotjul
- As my wish - Yeoseotjul, Adlib
- I lay my love on you - Yeoseotjul
- Rachmaninov/ Rhapsody on Theme of Paganini Op. 43: Var. 18 Piano - Chulho Kim, KAIST orchestra
- Chaser - Adlib
- Walk this way - Adlib
- Girl’s period - Adlib
- Sweep away - Adlib, KAIST orchestra
<2nd stage>
- Beethoven Virus - Adlib, KAIST orchestra
- Simple symphony - KAIST orchestra
- Cinema paradiso - KAIST orchestra
- Piano trio by Mendelssohn - Daehyun Wie (Piano), Wontae Song (Violin), Hongje Chang (Cello)
- Tango Pugata - Sangji Ko (Bandoneonist), etc.
- Vuelvo al sur - Youngsan Lee, etc.
- La Cumparsita - Sangji Ko, etc.
- Libertango - Sangji Ko, etc.
- Dramatic Funk - Wontae Song, Adlib
- Cavalleria rusticana intermezzo - Sangji Ko, KAIST orchestra
- Hurricane 2000 - Adlib, KAIST orchestra, Yeoseotjul
2006.09.11 View 14773